This delightful, original work has a rhythmic foundation built on mixed meter throughout, featuring a delightful melody perfectly suited to the rhythm. Nicely placed mart-lifts add to the engaging pulse of

This rhythmic, expressive and elegant setting of the hymn tune, TO GOD BE THE GLORY, is the perfect arrangement for your advanced ringers to show their technical and musical skills. It is crafted for seven

A truly gorgeous, sensitive, and creative setting for handbells and cello, this arrangement of the familiar FINLANDIA begins with cello playing the solo melody line followed by handchimes and then handbells

This lilting melody is a song about the Puerto Rican coqui, a tiny tree frog with a high pitched voice that “sings” from dusk till dawn. The music is accented with shakes, thumb damps and

This delightful and creative setting of four Christmas favorites are in Mixolydian mode. The rhythmic opening section sets the basis of a melodic accompaniment pattern that weaves throughout the work while

Originally written for banjo, this song tells the story of some fun-loving and bawdy boatmen on the Ohio River. Capturing the authentic spirit of the tune, this arrangement features a variety of stopped

Favorite carols are combined in this masterful arrangement with creatively woven melodies and quick-changing rhythms. Beginning with an optional layered processional featuring Here We Come

This setting of Holst's tune CRANHAM begins with a solo eighth-note line inspired by the lyrics "Snow had fallen, snow on snow" and is soon joined by whole-note chords using tower swings to suggest "frosty

This original composition is written in Native American style, sound, and philosophy which includes the belief that "the earth does not belong to us; we belong to the earth." It is written in F-sharp

Known for having a toe-tapping rhythm and infectious melody, this instrumental tune has been performed by many pop recording greats since the 1960s. In this delightful arrangement, the melody is mainly rung

The title Sambello is a combination of two words - samba and handbell - and also combines two time signatures: 7/8 and 4/4. The piece is not a samba, but it feels like dance music because of the

"Whoever believes in me, rivers of living water will flow from within them." In this original composition, handbells describe a metaphor where faith starts as a small brook that gradually becomes deeper and

Brian has created a delightful arrangement of the American folk tune, Dan Tucker, first published in 1843. A variety of techniques are used throughout: mallet, mallet lift, mart, TD, plus hand claps,

The arranger has joined Battle Hymn of the Republic; Dixie Land; and When Johnny Comes Marching Home into a tone poem depicting the conflict between the North and South and the soldiers

Composed by Felix Arndt in 1915, this was one of the first ragtime' pieces to gain wide-spread popularity. Aarranged for more advanced duet ringers, the interplay between the duet and the piano

This original, upbeat, rhythmic work is written in 7/8 throughout and features a variety of stopped techniques and echoes artfully placed, supporting a lilting melody and solid bass foundation. It was the

The arranger has taken two main themes from the fifth movement of Beethoven's Pastoral Symphony, Shepherds' Song of Joy and Thankful Feelings after the Storm, and artfully arranged them

This trio for three bell trees incorporates Sing We Now of Christmas with O Come, Emmanuel while the familiar repetitive three-tone/four-note theme from Carol of the Bells is

This delightful and delicate original piece is written in 5/4 time and literally dances throughout. With a medieval feel, it features an exposed melody line with rung, malleted, and handchime

This arrangement of the Irving Berlin big band hit from the late 1920s is faithful to the original, dressed in a very ritzy yet elegant musical fashion. Brilliant use of a variety of stopped sounds, jazz

The arranger has created a delightful setting of this favorite from Edvard Grieg's Lyric Pieces written for piano solo. Mallets and thumb damps are predominately used, interspersed with the

Two hymns on the theme of following where Jesus leads have been combined into a lovely and creative medley. Careful use of singing bell, LV, echoes, swings, and gyros - with a few mart-lifts for good